Hand embroidered in Japan using rare vintage materials. The Kyoto-based jewellery brand Tamas was founded by Asuka Shitamori in 2009 and has continued to create limited quantity embroidered jewellery ever since.

The “Ephemeral Earring” captures the fleeting beauty of a butterfly dancing in the light. Inspired by a moment in a video where a butterfly sparkled and danced around the designer’s daughter, these earrings evoke a sense of wonder and transient beauty.

The base is meticulously crafted from dark gray beads and thread, with intricate detailing. The surface shimmers with carefully placed beads, reflecting light like the delicate wings of a butterfly. The back is finished with pig leather and brass, providing a comfortable and secure fit.

“One day, in a video I filmed, I found a butterfly flying around my daughter. It was a butterfly that sparkled and danced in the light. I don’t remember if the butterfly was really there.” – Asuka Shitamori.

＊Sold as a pair.

Size | 14 × 14mm

Material | Vintage glass Beads, Thread, Cotton, Pig Skin Leather Patch, Brass

Stud – Titanium
Clip – Brass with silicon pads

ー Hand embroidered in Japan ー

來自日本京都的手工刺繡珠寶 Tamas，由設計師 下森 明香 成立於2009年。使用稀少的法國 Vintage 亮片及珠繡材質，手工繡於淺色皮革上。耳針款使用低過敏的鈦材質，耳夾款使用低痛感的矽膠耳夾。

「Ephemeral まぼろし耳環」捕捉了蝴蝶在光中舞動的瞬間之美。靈感來自設計師在影片中看到蝴蝶在女兒周圍閃爍飛舞的時刻，這款耳環喚起了對轉瞬即逝的奇妙又美好的瞬間的回憶和感受。

耳環正面底部由深色珠子和絲線精心製成，具有精緻的細節。深色背景上閃耀著精心排列的灰色珠子，如同蝴蝶翅膀般反射光芒。耳環背面則使用豬皮革和黃銅製成，提供舒適和穩固的佩戴感。

「那一天，我在拍攝的影片中偶然注意到一隻在我女兒周圍徘徊的蝴蝶。那隻蝴蝶在光中閃爍飛舞。我已經不記得它究竟是否真的存在。」——下森明香

＊成對販售

尺寸 | 14 × 14mm

材質 | 中古玻璃珠、絲線、棉、豬皮革、黃銅

耳釘 – 抗敏性鈦金屬
耳夾 – 黃銅及矽膠軟墊

– 日本手工刺繡 –

Tamas

Purveyor of handmade embroidered jewellery, hails from Kyoto and was founded by designer A. Shitamori in 2009. The brand is known for embroidering rare vintage materials from France onto light leather.

There are various “shapes” in the world. In the dizzyingly changing days, I think that important things are packed in the “forms” that pass by and are overlooked. An accessory brand that was born in April 2009 with the concept of “collecting little by little, like picking up sounds that quietly echo from ‘shapes’.”

The materials used are mainly rare French vintage sequins and beads. Each piece is produced by hand in our atelier, as if weaving the time engraved in the material itself. I hope that the material, the production method, the accessories that are born from it, the person who holds it, and the air that surrounds that person are connected in a single line.