Hand embroidered in Japan using rare vintage materials. The Kyoto based jewellery brand Tamas was founded by Asuka Shitamori in 2009, and continue to create limited quantity embroidered jewelleries ever since.

The “Good Evening Brooch” is made out of a motif imitating the clouds over the moon.

A pom-pom shaped cloud covers the moon. This brooch is designed to look like the moonlight shining through the gaps, creating a curtain-like effect. A perfectly round moon appeared in the eastern sky at dusk.The base part is made up of bicolour square beads. Sewn with a thread in a different colour, white round beads are then lined up over it. Edged with silver sequins with a sophisticated finishing. An easy-to-use accessories for both formal and daily occasions.

“In the early evening, a perfectly round moon appears in the eastern sky. My daughter always greets to the moon，“Good evening, moon.” like she said.” – Asuka Shitamori.

Size | 45mm * 50mm

Material | Vintage Beads (glass), Vintage Sequins, Natural stone, Silk, Pig Skin Leather Patch, Brass.

ー Hand embroidered in Japan ー

來自日本京都的手工刺繡珠寶 Tamas，由設計師 下森 明香 成立於2009年。使用稀少的法國 Vintage 亮片及珠繡材質，手工繡於淺色皮革上。

以月亮上的雲朵為靈感的“Good Evening 晚安胸針”。

底座部分由雙色方形珠子組成。用不同顏色的線縫製，然後在其上排列白色圓形珠子。邊緣飾有精緻的銀色亮片。正式場合及日常生活都可靈活搭配的款式。

“傍晚時分，一輪圓圓的月亮出現在東方的天空，當我們發現它時，我的女兒總是向月亮問好 “Good evening, moon.”她說 。”——下森明日香。

尺寸 | 45mm * 50mm

材質 | 中古珠子（玻璃）、中古亮片、天然石、絲綢、豬皮革、黃銅。

–日本手工刺繡 –

Tamas

Purveyor of handmade embroidered jewellery, hails from Kyoto and was founded by designer A. Shitamori in 2009. The brand is known for embroidering rare vintage materials from France onto light leather.

There are various “shapes” in the world. In the dizzyingly changing days, I think that important things are packed in the “forms” that pass by and are overlooked. An accessory brand that was born in April 2009 with the concept of “collecting little by little, like picking up sounds that quietly echo from ‘shapes’.”

The materials used are mainly rare French vintage sequins and beads. Each piece is produced by hand in our atelier, as if weaving the time engraved in the material itself. I hope that the material, the production method, the accessories that are born from it, the person who holds it, and the air that surrounds that person are connected in a single line.